Spirocore (Thomastik-Infeld)
Thomastik-Infeld Spirocore Cello C-String
String Material
String Gauge Matrix
Spirocore Cello Strings
Unlike common steel strings, Spirocore's flexible core enables stable intonation and unerring focus. They shine with their powerful round sound, saturated depth, excellent brilliance and perfect fifths. With their high-performance capacity, impressive projection and quick response you will find them indispensable. Their outstanding durability is unparalleled and world-famous.
Instrument: Cello
String Type: C
Size: 4/4
Gauge: Medium (Steel/Silver)
Gauge: Weak, Medium, or Strong (Tungsten)
C String: Steel, silver, or tungsten wound over a spiral core
String Tonal Profile:
Product details
| Brand | Thomastik-Infeld |
|---|---|
| Instrument | Cello |
| String type | C |
| Size | 4/4 |
| Gauge | Medium (Steel/Silver) |
| C string | Steel, silver, or tungsten wound over a spiral core |
| SKU | S33CM |
| Category | Orchestral String Instrument Strings |
Please inspect your strings immediately upon receipt. Installed strings are not returnable unless they break within the first 30 days after purchase.
30-Day String Return Policy
Unopened strings may be returned within 30 days so that we may supply all our customers with the freshest possible strings. Because of tonal qualities of each instrument are unique we cannot accept string returns for reasons of tone including false strings.
If you have any questions about this product's warranty or to make a return please contact our Customer Service Department at 800.248.7427 or email us at cc@sharmusic.com
In 1919 violin maker Dr. Franz Thomastik and civil engineering specialist Otto Infeld founded the company, invented the steel string and caused a revolution in the music world. Suddenly the conventional gut string was challenged by a new string with the highest quality of tone, precision and reliability. It was received enthusiastically by virtuosi across the world.
The string makes the music. The diversity and beauty of the musical timbre depend upon, on the one hand, the type of material used for the core and on the other hand, the material spun around the core. For a perfect sound, Thomastik-Infeld has consistently chosen steel and nylon as the string core material for bowed and plucked instruments.
The highest standards are guaranteed by ongoing research in Thomstik-Infeld's own research lab engaging a team of highly specialized technicians. However, tone perfection is achieved primarily by the delicate touch of fingers and the highly qualified staff in the workshops: Every string at Thomastik-Infeld is wound and checked by hand.
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My go-to combo of Jargar A & D Special “Forte” and Thomastik Spirocore G & C strings remain the gold standard! Thank you, SHAR!
Sounds good
Very good and responsive.
Thomastik Infeld Spirocore Cello C String
Thomastik Infeld Spirocore Cello C String
Thanks!! You guys are great!!
When in doubt, I can buy this string and know that it is consistently good, dependable, and long lasting. You get what you pay for so don't go cheap.
The Thomastik C Starke is a strong sounding C string especially once it breaks in.
I've been using Spirocore Tungsten Wound for around 8 years now and it has never disappointed me. It's the perfect balance of direct and bright while maintaining the warmth and resonance of a c string.
I have tried several brands of C strings over the past number of years, but keep coming back to Spirocore Tungsten. It is still the most powerful, giving a strong "ring" to the sound of the other strings as well.
The great, classic C string sound for cello. Clear sound and quick response. If you want more resistance and growl, try the strong tension.
At the suggestion of my luthier, I replaced my (3 times as expensive) Larsen C with this Spirocore and got a brighter, cleaner sounds and a quicker response. The Spirocore also seems to last longer.
these strings did not sound well on my cello. i used the spirocore c&g . the g was somewhat...okay but did not produce a clear sound , the c was much to dry and heavy and the string almost seemed to BIG . the c also had a slight rubber band effect. thes unwanted qualities may not occur in another cello . but really it all depends on the player &&&&&& the cello