Tourte Original 1 Hole Cello Mute
Tourte Original 1 Hole Cello Mute

Tourte

Tourte Original 1 Hole Cello Mute

Sale price$4.59
SKU: 1306
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The original Tourte mute is the world's most popular orchestra mute! There are many imitations available, but they are made from inferior die-cut synthetic rubber which sacrifices functionality, longevity, and sound quality. The original Tourte orchestra mute’s elastic molded rubber construction allows for ease and speed of application and removal, as well as superior sound by avoiding rattling and contact with the string where imitation mutes don’t. Used for chamber music, orchestra and personal practice - light muting level. Orginal: Not a Copy!

What Should I Look For in a Mute?
All string players should have at least one mute, and there are three important factors to consider. First and foremost, ease of use. How quickly can the mute be put in place or removed? How important is this to you? Orchestral players sometimes only have one measure to install or remove a mute. Secondly, sound quality. The goal of the mute is to lower the volume only, not dampen the good quality of your instrument. Regarding overall sound quality, the degree to which a mute "rattles" when not in use but still on the strings between the bridge and tailpiece is important as well. Third is aesthetics. Truth be told, many players consider the importance of overall look and feel, trying a variety of mutes to find out what works and looks best on their instrument. Fortunately, mutes are not too expensive, so this is a relatively low cost endeavor.

"A commonly forgotten accessory to the string world is the mute. There are a variety of mutes available with even more varying qualities and prices. For the orchestra setting, I recommend something that can quickly be put on the bridge such as the Tourte, which I use. For practicing at home late at night, I use my ebony mute because it's heavier and dampens the volume more."
- Thomas La Forgia, Cellist & Shar Apprentice

Customer Reviews

Based on 3 reviews
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A
Anonymous
Great for the price with a couple of issues

I actually love this mute. It's small, compact, and works quite well. My only actual problem comes from the fact that it stretches out while it's used to the point that it sometimes falls off of the string. Other than that, during a performance, once it flipped around the string and got stuck, but I solved the issue relatively quickly. I think, especially for the price, that it is quite good.

A
Anonymous
Great for the price with a couple of issues

I actually love this mute. It's small, compact, and works quite well. My only actual problem comes from the fact that it stretches out while it's used to the point that it sometimes falls off of the string. Other than that, during a performance, once it flipped around the string and got stuck, but I solved the issue relatively quickly. I think, especially for the price, that it is quite good.

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Marian Casey
More versatile than 2-hole version

This is my favorite model of mute -- effective, inexpensive, and one-size-fits-all! As a private cello teacher with students in youth orchestras, I try to keep these 1-hole "violin-shaped" Tourte cello mutes on hand because I know they will work well on *any* student's cello, regardless of their cello's size or wolf-suppressor placement. In contrast, the 2-hole models of rubber mutes (circular Tourte-style or square Glaesel-style) simply won't fit between the strings of some smaller cellos. And a carefully-positioned wolf suppressor can be knocked out of place all too easily when using a 2-hole mute. Also, in case you were wondering, there's very little difference between the 1-hole and 2-hole rubber mutes, sound-wise. Both modify the tone far more effectively than the brass-and-wire sliding mutes, without muffling the volume as much as the "classic" wooden mutes (or the heavy rubber or metal "practice" mutes).

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