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Saint Saëns, Camille - Allegro Appassionato for Violoncello with Piano Accompaniment, Op 43 - edited by Christine Baur - Bärenreiter

Saint Saëns, Camille - Allegro Appassionato for Violoncello with Piano Accompaniment, Op 43 - edited by Christine Baur - Bärenreiter | 3500 162

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SHAR Price: $12.25

Item# 3500 162

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About This Item

The first piece Camille Saint Seans completed after his marriage in 1875, Allegro Appassionato remains a favorite of cellists today. It is both lively and lyrical, resulting in a rather memorable short work.

For Cello and Piano. URTEXT edition published by Barenreiter. Edited by Christine Baur, Also includes second copy with fingering and bowing by Margaret Edmondson.

Difficulty: ASTA Grade 4

Features/Specs

Title: Allegro Appassionato for Violoncello with Piano Accompaniment op 43
Composer: Camille Saint-Saëns
Arranger: 
Editor: Christine Baur
Publisher: Bärenreiter
Instrumentation: Cello and piano
Parts Included: Cello and piano
Additional Information: Urtext

Warranty Info

Sheet Music Return Policy
If you are not satisfied with this item for any reason, you may return it for a full refund within 30 days of purchase. Unless the music received is defective or has been shipped in error, all returned music will be subject to a restocking fee of $2.00 per title.

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Customer Questions

Question by:

  • POPULAR SHAR STAFF QUESTION
  • ANN ARBOR, MI

Asked On: 07/29/2016

What does Urtext mean? What makes this edition different than the others?

SHAR Answer:

Urtext basically means that this music is the earliest version of this piece of music, to which later versions can be compared. It serves as a baseline; it gives musicians and scholars an idea for the composer’s original intent. The reason that one would purchase an Urtext edition of music would be so that he or she has a musical text which solely reflects the composer’s intentions; creative interpretation can then be built upon those intentions. While it’s useful to purchase an Urtext edition so that one may get a feel for a composer’s intentions, it’s no guarantee of the composer’s exact writings. When a piece of music is edited or altered, it’s common for editors to add or subtract to the music as well as to edit performance methods. In many cases, it can be useful to purchase a thoroughly edited and altered version of a piece of music, because perhaps it will contain fingerings, bowings or musical performance ideas that will be useful to the performer or student who’s using it. Editions that are edited or arranged may also contain a different cadenza for a concerto. When deciding which edition to buy, it really does come down to personal preference. It’s also worth noting that there’s more than one publisher of the Urtext version of music. Some well-known publishers of Urtext versions include Henle, Bärenreiter and Breitkopf, among others. This comes from the G. Henle Verlag Publisher’s website: “There is no such thing as the one valid Urtext version of a musical composition, because the Urtext edition is not the same as a composer's manuscript. (Unfortunately even today many musicians believe this to be the case, for the word "Urtext" [original text] probably also supports this idea.) In most cases the Urtext editor has to choose between different readings in the primary sources: What is "correct", what is "wrong"? Often there is no clear answer. At all events, a good Urtext edition justifies the decision made (and printed).”

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