{"title":"Bärenreiter Viola Editions","description":null,"products":[{"product_id":"bach-concerto-in-e-flat-major-for-viola-and-piano","title":"Bach, JS - Concerto in E-flat Major for Viola and Piano - Barenreiter Verlag URTEXT Edition","description":"","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45592476287207,"sku":"2067 162","price":23.39,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32346813726951.jpg?v=1789026262"},{"product_id":"bach-three-viola-da-gamba-sonatas-bwv-1027-1029-4","title":"Bach, JS - 3 Viola da Gamba Sonatas BWV 1027 1029 for Viola and Piano - Arranged by Eppstein - Barenreiter Verlag URTEXT Edition","description":"\u003cfont face=\"Verdana\"\u003eThe Bach Sonatas for Viola da Gamba were composed during his tenure as Kapellmeister of Prince Leopold in Cothen, himself an accomplished gambist.  Today, these pieces remain popular both on the cello and the double bass, as well as the viola.  They are serious pieces, often lively and contrapuntal and always interesting.\u003cbr\u003e\u003cbr\u003eEdited by Eppstein, for Viola and Piano. URTEXT edition published by Barenreiter Verlag.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eGrading: Apprentice Rating 4-5\u003c\/b\u003e (more musically challenging, shifting and more complex rhythms, more difficult key signatures, more advanced bowings and techniques, suitable for someone with fairly extensive playing ability)\u003cbr\u003e\u003c\/font\u003e","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45592765104359,"sku":"2501 162","price":23.62,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32346932281575.jpg?v=1788846398"},{"product_id":"sassmannshaus-concert-pieces-viola-and-piano","title":"Concert Pieces for Viola and Piano - Viola Collection - edited by Kurt Sassmannshaus - Barenreiter","description":"To complement the “Sassmannshaus Early Start on the Viola” method, Bärenreiter offer a selection of recital pieces tailored to this educational concept. This edition presents 14 pieces covering a wide stylistic spectrum, giving viola players a rich body of appealing concert pieces to choose from.\nThe works are arranged in increasing order of difficulty, the cornerstones being two works by Georg Eduard Goltermann; his technically simple “Andante religioso” and his demanding “Adagio” and “Tarantella”. Works by Kalliwoda, Fauré, Grieg, Dvorák, amongst others, are included.\n\u003cbr\u003e\u003cbr\u003e-\t14 recital pieces presented in increasing order of difficulty\n\u003cbr\u003e-\tWide range of styles included\n\n\u003cbr\u003e\u003cbr\u003eThe editor\nKurt Sassmannshaus is a violinist and viola player, a professor of violin in Cincinnati (OH) and a promoter of violin teaching with projects in Germany, China and the United States. He continues the work of his father Egon Sassmannshaus, who set new standards with the Sassmannshaus string methods.","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45592767365351,"sku":"2502 162","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32346933919975.jpg?v=1788527906"},{"product_id":"dvorak-romantic-pieces-for-va-and-pno-op-75","title":"Dvorak, Antonin - Romantic Pieces, Op. 75 - for Viola and Piano - Barenreiter","description":"Based on the beloved Romantic Pieces for violin and piano, this viola arrangement follows Dvorak’s version faithfully, modifying the viola part to fit the instrument, and leaving the piano part intact. An important addition to the romantic viola repertoire.","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45592780538087,"sku":"2511 162","price":12.28,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32346940834023.jpg?v=1788844562"},{"product_id":"brahms-sonatas-op-120-f-mn-e-flat-mj-viola-and-pno","title":"Brahms, Johannes - Sonatas in F Minor and E-flat Major, Op 120 - for Viola and Piano - edited by Clive Brown and Neal Peres Da Costa - Barenreiter URTEXT","description":"\u003cbr\u003e\u003cbr\u003eJohannes Brahms:\r\nThe Works for one Instrument and Piano\r\n\u003cbr\u003e\u003cbr\u003eJohannes Brahms’ compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.\r\n\u003cbr\u003e\u003cbr\u003eThe New Urtext Editions\r\n\r\n\u003cbr\u003e\u003cbr\u003eBärenreiter’s pioneering new scholarly-critical editions of Brahms’ works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today’s musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.\r\n\r\n\u003cbr\u003e\u003cbr\u003eIn addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.\r\n\r\n\u003cbr\u003e\u003cbr\u003eAn integral part of Bärenreiter’s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms’ own piano playing as well as that of his circle and contemporaries are discussed.\r\n\r\n\u003cbr\u003e\u003cbr\u003eThe violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim’s pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms’ associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.\r\n\r\n\u003cbr\u003e\u003cbr\u003eBärenreiter’s new Brahms complex also importantly brings two neglected works back into the player’s hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms’ arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.\r\n\r\n\u003cbr\u003e\u003cbr\u003e•\tA pioneering set of Urtext editions\r\n\u003cbr\u003e•\tString editions include an Urtext solo part and a second part with fingering as well as performance markings\r\n\u003cbr\u003e•\tEach edition offers a preface on performance practice aspects pertaining to the respective works\r\n\u003cbr\u003e•\tA separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms’ chamber music","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45592831721703,"sku":"2615 162","price":26.81,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32346972750055.jpg?v=1788527903"},{"product_id":"berlioz-harold-in-italy-op-16-viola-and-piano","title":"Berlioz, Hector - Harold in Italy Op 16 Score and Part for Viola and Piano - Arranged by MacDonald - Barenreiter Verlag URTEXT Edition","description":"","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45592848498919,"sku":"2665 162","price":34.96,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32346983825639.jpg?v=1788880308"},{"product_id":"schubert-complete-string-trios-aberhold-urtext","title":"Schubert, Franz - Complete String Trios For Violin, Viola, and Cello Edited by Aberhold URTEXT Published by Barenreiter Verlag","description":"Includes Trio No. 1 in B-flat, D. 471, Trio No. 2 in B-flat, D. 581 (first      and second versions), Fragment of D. 111a and Second Movement (fragment) of     D. 471. For violin, viola and cello. Contains set of parts. Barenreiter Urtext  edition.","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45599411699943,"sku":"5195 114","price":29.29,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32350529323239.jpg?v=1788527905"},{"product_id":"dvorak-piano-quartet-no-1-in-d-major-op-23","title":"Dvorak, Antonin - Piano Quartet in D major, op. 23 - for Violin, Viola, Cello, and Piano - edited by Robin Tait - Barenreiter URTEXT","description":"\u003cbig\u003e\u003cb\u003ePiano Quartet in D major, Opus 23\u003c\/b\u003e\u003c\/big\u003e by Antonin Dvorak\u003cbr\u003efor Violin, Viola, Cello,\r\n and Piano\u003cbr\u003eEdited by Robin Tait\u003cbr\u003eURTEXT Edition by Barenreiter\u003cbr\u003e\u003cbr\u003eThis URTEXT edition of the Dvorak Piano Quartet in D major (op. 53) includes the full piano score and a separate folder of each of the string parts (edited without finger markings), and a scholarly Preface.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDifficulty:\u003c\/b\u003e A5-6 (Advanced)\u003cbr\u003e\u003cbr\u003e","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45600390086887,"sku":"6058 162","price":31.18,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32350910546151.jpg?v=1788875871"},{"product_id":"dvorak-piano-quintet-in-a-major-op-5","title":"Dvorak, Antonin - Piano Quintet in A major, op. 5 - for Two Violins, Viola, Cello, and Piano - edited by Burghauser and Solc - Barenreiter URTEXT","description":"\u003cbig\u003e\u003cb\u003ePiano Quintet in A major, Opus 5\u003c\/b\u003e\u003c\/big\u003e by Antonin Dvorak\u003cbr\u003eEdited by Jarmil Burghauser and Karel Solc\u003cbr\u003eURTEXT Edition by Barenreiter\u003cbr\u003e\u003cbr\u003eThis URTEXT edition of the Dvorak Piano Quintet in A minor (op. 5) includes the full piano reduction score as the piano part, and the four string parts (violin 1, violin 2, viola, and cello) each as a separate booklet (edited without finger markings), and a scholarly Preface.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDifficulty:\u003c\/b\u003e A6 (Advanced)\u003cbr\u003e\u003cbr\u003e","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45600422396135,"sku":"6175 162","price":31.18,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32350919033063.jpg?v=1789026227"},{"product_id":"mozart-symphonie-concertante-k-364-urtext-score","title":"Mozart, WA - Sinfonia Concertante in E-flat Major for Violin, Viola, and Orchestra, K 364 - Study Score - Barenreiter URTEXT","description":"Wolfgang Amadeus Mozart's Sinfonia concertante for Violin, Viola and Orchestra E-flat major K. 364 (320d). Study score with instrumentation for Violin Solo, Viola Solo, Oboe (2), Horn (2), Violin (2), Viola (2), Violoncello, Double bass. Edited and with a forward by Christoph-Hellmut Mahling.","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45600448774375,"sku":"6635 162","price":15.11,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32819972243687.jpg?v=1789036849"},{"product_id":"saint-sans-camille-septuor-for-trumpet-piano-two-violins-viola-cello-and-double-bass-in-e-flat-major","title":"Saint-Saëns, Camille - Septuor for Trumpet, Piano, Two Violins, Viola, Cello and Double Bass in E-flat Major, Op. 65 - Score - edited by Ratner - Barenreiter Urtext","description":"\u003cp\u003eFor a long time, Camille Saint-Saëns was reluctant to compose a chamber music piece with trumpet for his friend Émile Lemoine and his chamber music association “La Trompette”: “I can happily write you a concerto for twenty-five guitars […] but for trumpet? Impossible.” Finally, he gave in and wrote a Préambule in 1880 and a year later the four further movements of the “Septuor” for trumpet, two violins, viola, violoncello, double bass and piano. With its neo-baroque tonal language, the work enjoyed great popularity during Saint-Saëns’ lifetime, which surprised the composer time and again.\u003cbr\u003e\u003cbr\u003eAlongside a full score with an Introduction (Eng\/Fr\/Ger) and a Critical Commentary (Eng), a set of all seven individual parts is available, including two parts for trumpet in low E-flat (original) and in B-flat. Furthermore, additional string parts are individually available to accommodate performances with two or more string players per part (as customary in Saint-Saëns’ lifetime).\u003c\/p\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":51821258113255,"sku":"6065 162","price":27.26,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/38967377297639.jpg?v=1789433782"},{"product_id":"saint-sans-camille-septuor-for-trumpet-piano-two-violins-viola-cello-and-double-bass-in-e-flat-parts","title":"Saint-Saëns, Camille - Septuor for Trumpet, Piano, Two Violins, Viola, Cello and Double Bass in E-flat Major, Op. 65 - Parts - edited by Ratner - Barenreiter Urtext","description":"\u003cp\u003eFor a long time, Camille Saint-Saëns was reluctant to compose a chamber music piece with trumpet for his friend Émile Lemoine and his chamber music association “La Trompette”: “I can happily write you a concerto for twenty-five guitars […] but for trumpet? Impossible.” Finally, he gave in and wrote a Préambule in 1880 and a year later the four further movements of the “Septuor” for trumpet, two violins, viola, violoncello, double bass and piano. With its neo-baroque tonal language, the work enjoyed great popularity during Saint-Saëns’ lifetime, which surprised the composer time and again.\u003cbr\u003e\u003cbr\u003eAlongside a full score with an Introduction (Eng\/Fr\/Ger) and a Critical Commentary (Eng), a set of all seven individual parts is available, including two parts for trumpet in low E-flat (original) and in B-flat. Furthermore, additional string parts are individually available to accommodate performances with two or more string players per part (as customary in Saint-Saëns’ lifetime).\u003c\/p\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":51821261095143,"sku":"6064 162","price":27.26,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/38967383687399.jpg?v=1789433775"}],"url":"https:\/\/www.sharmusic.com\/collections\/barenreiter-viola-editions.oembed","provider":"Shar Music","version":"1.0","type":"link"}