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As an alternative, the accompaniment can be played by a second violin.\nAll the pieces are available in exemplary recordings on YouTube.\n\nFrom the contents of Volumes 1 and 2:\nNursery rhymes, folksongs but also less well-known gems, as well as original pieces by the editors, all precisely tailored to meet the needs of young students.\n\u003cbr\u003e\u003cbr\u003e•\tNew recital pieces for the tried and trusted Sassmannshaus violin method\u003cbr\u003e•\tAll pieces written in first position\u003cbr\u003e•\tWith a second violin part for duet performance\u003cbr\u003e•\tAvailable in freely accessible recordings on YouTube\n\u003cbr\u003e\u003cbr\u003eKurt Sassmannshaus, the editor of a great many string editions in the Bärenreiter catalogue, continues the tradition founded by his father Egon Sassmannshaus in the “Early Start” string methods. He developed these two new editions together with his wife Melissa Lusk and his son Christoph Sassmannshaus.","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45591012835559,"sku":"1104 162","price":23.65,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32345327730919.jpg?v=1788527897"},{"product_id":"mozart-complete-works-sonatas-vol-1-urtext","title":"Mozart, WA - Complete Works for Piano and Violin, Volume 1: Early Sonatas - Barenreiter","description":"Contains all the completed works, including several works which are not found i n other editions. Preface by the Mozart scholar Dietrich Berke. [Reeser-Wulfhorst]","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45591215276263,"sku":"1258 162","price":58.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32345479643367.jpg?v=1788838009"},{"product_id":"mendelssohn-concerto-in-e-minor-violin-and-piano","title":"Mendelssohn, Felix - Concerto in E minor, Op 64 - Violin and Piano - Barenreiter Urtext","description":"\u003cp\u003eThis new and exciting Urtext edition is based on recently discovered correspondence between Mendelssohn and Belgian violinist, Hubert Leonard, detailing performance practices of this beloved concerto. This edition likely defines Mednelssohn's intent for the performance of this work. \u003c\/p\u003e","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45591223828711,"sku":"1260 362","price":29.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32345493242087.jpg?v=1788528159"},{"product_id":"mozart-concerto-no-5-in-a-major-k-219-urtext-3","title":"Mozart, WA - Concerto No 5 in A Major, K 219 - Violin and Piano - edited by Christoph Hellmut Mahling - Barenreiter Verlag URTEXT","description":"Introducing the epitome of musical brilliance - Mozart, WA - Concerto No 5 in A Major, K 219 - Violin and Piano. Immerse yourself in the timeless beauty of Mozart's genius with this meticulously edited edition by Christoph Hellmut Mahling, brought to you by Barenreiter Verlag URTEXT.\r\n\r\nUnleash your inner virtuoso as you embark on a musical journey like no other. This edition showcases Mozart's Concerto No. 5, A Major, K. 219 in its purest form, presenting you with the authentic Urtext version. Immerse yourself in the composer's original intentions, as every note and nuance has been carefully preserved.\r\n\r\nCrafted with the utmost precision and attention to detail, this edition is a testament to Barenreiter Verlag's commitment to excellence. The renowned Christoph Hellmut Mahling has meticulously edited this masterpiece, ensuring the utmost accuracy and authenticity. With his expertise, you can trust that every musical element has been thoughtfully considered, allowing you to experience Mozart's genius in its truest form.\r\n\r\nWhether you are a seasoned performer or an aspiring musician, this edition is designed to meet your every need. The clear and legible sheet music ensures effortless reading, allowing you to focus solely on your performance. The violin and piano parts have been expertly arranged, striking the perfect balance between technicality and musicality.\r\n\r\nIndulge in the rich harmonies, intricate melodies, and breathtaking cadenzas that define Mozart's Concerto No. 5. This edition provides you with the tools to unlock the full potential of this masterpiece, allowing you to showcase your skills and captivate audiences with every note.\r\n\r\nInvest in the best, and let Mozart's brilliance shine through your performance. With the Mozart, WA - Concerto No 5 in A Major, K 219 - Violin and Piano - edited by Christoph Hellmut Mahling - Barenreiter Verlag URTEXT, you can be confident that you are choosing the ultimate edition for your musical journey. Elevate your playing to new heights and experience the magic of Mozart like never before.\"","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45591276880103,"sku":"1285 114","price":26.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32819916964071.jpg?v=1788528208"},{"product_id":"felix-mendelssohn-complete-works-clo-pno-vol-1","title":"Mendelssohn, Felix - Complete Works, Volume 1: Sonatas - Op. 45, 58 - for Cello and Piano - Barenreiter URTEXT","description":"\u003cbig\u003e\u003cb\u003eComplete Works\u003c\/b\u003e\u003c\/big\u003e for Violoncello and Pianoforte, Vol. I\u003cbr\u003eby Felix Mendelssohn Bartholdy\u003cbr\u003eTwo Sonatas for Cello and Piano (Op. 45, 58)\u003cbr\u003eEdited by R. Larry Todd\u003cbr\u003eBärenreiter URTEXT Edition\u003cbr\u003e\u003cbr\u003eThis Baerenreiter Urtext edition of two cello sonatas (cello and piano) containts both Sonata Opus 45 in B-flat Major and Sonata Opus 58 in D Major, and is volume 1 of Barenreiter's \"Complete Works\" series of Mendelssohn pieces. It includes nine pages of \"Preface\" in English, and 14 pages of \"Critical Report\", making it extremely thorough and accurate. It also includes both the separate cello part and the full piano score. It does not include any finger markings in either part.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDifficulty:\u003c\/b\u003e A5-6 (Advanced)","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45591278682343,"sku":"1285 162","price":50.39,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32345549799655.jpg?v=1788880300"},{"product_id":"felix-mendelssohn-complete-works-clo-pno-vol-2","title":"Mendelssohn, Felix - Complete Works, Volume 2 - Op. 17, Op. 109, Assai Tranquillo, Variationen - for Cello and Piano - Barenreiter URTEXT","description":"\u003cbig\u003e\u003cb\u003eComplete Works\u003c\/b\u003e\u003c\/big\u003e for Violoncello and Pianoforte, Vol. II\u003cbr\u003eby Felix Mendelssohn Bartholdy\u003cbr\u003eFour pieces for Cello and Piano\u003cbr\u003eEdited by R. Larry Todd\u003cbr\u003eBärenreiter URTEXT Edition\u003cbr\u003e\u003cbr\u003eThis Baerenreiter Urtext edition of four works for cello and piano contains \u003ci\u003eVariations Concertantes\u003c\/i\u003e (opus 17), \u003ci\u003eRomance sans paroles\u003c\/i\u003e (opus 109), \u003ci\u003eAssai Tranquillo\u003c\/i\u003e, and \u003ci\u003eVariationen\u003c\/i\u003e (Mendelssohn\/Merk), and is volume 1 of Barenreiter's \"Complete Works\" series of Mendelssohn pieces. It includes nine pages of \"Preface\" in English, and 6 pages of \"Critical Report\", making it extremely thorough and accurate. It also includes both the separate cello part and the full piano score. It does not include any finger markings in either part.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDifficulty:\u003c\/b\u003e A5-6 (Advanced)","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45591280386279,"sku":"1286 162","price":30.45,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32345551962343.jpg?v=1789026237"},{"product_id":"saint-saens-havanaise-op-83-for-violin-and-piano","title":"Saint-Saëns, Camille - Havanaise Op 83 for Violin and Piano - edited by Christine Baur - Bärenreiter","description":"Finally, an Urtext edition of one of Camille Saint-Saens most popular virtuoso works, \u003ci\u003eHavanaise\u003c\/i\u003e. Without annoying editing that gets in the way of Saint-Saens intent, this exciting new Barenreiter edition instead offers the background on how Saint-Saens proceeded in composing this brilliant piece. What better way to gain a real understanding of the music, thereby liberating your performance.\u003cbr\u003e\u003cbr\u003eThis virtuoso work, based on the Cuban Habanera rhythm, was composed in 1887. This first-ever critical edition of Havanaise” draws on both the composer’s autograph version for violin and piano as well as the later orchestrated version. Where the solo part of the orchestral version differs from the version for violin and piano, the variants are shown in the violin part as ossias.\u003cbr\u003e\u003cbr\u003e- First scholarly-critical edition of this work\u003cbr\u003e- Variants from the orchestral version shown in the violin part \u003cbr\u003e","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45591601643751,"sku":"1356 162","price":19.19,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32345764659431.jpg?v=1788880300"},{"product_id":"schubert-fantasia-in-c-major-op-159-d-934","title":"Schubert, Franz - Fantasia In C Major, Op 159, D 934 - for Violin and Piano - Barenreiter URTEXT","description":"","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45591734649063,"sku":"1382 162","price":21.09,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32345826066663.jpg?v=1788844554"},{"product_id":"bach-sonatas-bwv-1014-1019-violin-and-piano","title":"Bach, JS - 6 Sonatas for Violin and Piano, BWV 1014-1019, Volume 1 - for Violin and Piano -  edited by Wollny and Manze - Barenreiter Verlag URTEXT Edition","description":"","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45591739072743,"sku":"1385 162","price":31.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32345827148007.jpg?v=1789026245"},{"product_id":"brahms-sonata-in-g-major-op-78-violin-and-piano","title":"Brahms, Johannes - Sonata in G Major, Op 78 - for Violin and Piano - edited by Clive Brown and Neal Peres Da Costa - Barenreiter URTEXT","description":"Johannes Brahms:\r\nThe Works for one Instrument and Piano\r\n\u003cbr\u003e\u003cbr\u003eJohannes Brahms’ compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.\r\n\u003cbr\u003e\u003cbr\u003eThe New Urtext Editions\r\n\r\n\u003cbr\u003e\u003cbr\u003eBärenreiter’s pioneering new scholarly-critical editions of Brahms’ works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today’s musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.\r\n\r\n\u003cbr\u003e\u003cbr\u003eIn addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.\r\n\r\n\u003cbr\u003e\u003cbr\u003eAn integral part of Bärenreiter’s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms’ own piano playing as well as that of his circle and contemporaries are discussed.\r\n\r\n\u003cbr\u003e\u003cbr\u003eThe violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim’s pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms’ associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.\r\n\r\n\u003cbr\u003e\u003cbr\u003eBärenreiter’s new Brahms complex also importantly brings two neglected works back into the player’s hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms’ arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.\r\n\r\n\u003cbr\u003e\u003cbr\u003e•\tA pioneering set of Urtext editions\r\n\u003cbr\u003e•\tString editions include an Urtext solo part and a second part with fingering as well as performance markings\r\n\u003cbr\u003e•\tEach edition offers a preface on performance practice aspects pertaining to the respective works\r\n\u003cbr\u003e•\tA separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms’ chamber music","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45591995154663,"sku":"1614 162","price":17.89,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32345996001511.jpg?v=1789026250"},{"product_id":"brahms-sonata-in-a-major-op-100-violin-and-piano","title":"Brahms, Johannes - Sonata in A Major, Op 100 - for Violin and Piano - edited by Clive Brown and Neal Peres Da Costa - Barenreiter URTEXT","description":"Johannes Brahms:\nThe Works for one Instrument and Piano\n\u003cbr\u003e\u003cbr\u003eJohannes Brahms’ compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.\n\u003cbr\u003e\u003cbr\u003eThe New Urtext Editions\n\n\u003cbr\u003e\u003cbr\u003eBärenreiter’s pioneering new scholarly-critical editions of Brahms’ works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today’s musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.\n\n\u003cbr\u003e\u003cbr\u003eIn addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.\n\n\u003cbr\u003e\u003cbr\u003eAn integral part of Bärenreiter’s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms’ own piano playing as well as that of his circle and contemporaries are discussed.\n\n\u003cbr\u003e\u003cbr\u003eThe violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim’s pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms’ associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.\n\n\u003cbr\u003e\u003cbr\u003eBärenreiter’s new Brahms complex also importantly brings two neglected works back into the player’s hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms’ arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.\n\n\u003cbr\u003e\u003cbr\u003e•\tA pioneering set of Urtext editions\n\u003cbr\u003e•\tString editions include an Urtext solo part and a second part with fingering as well as performance markings\n\u003cbr\u003e•\tEach edition offers a preface on performance practice aspects pertaining to the respective works\n\u003cbr\u003e•\tA separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms’ chamber music","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45591995515111,"sku":"1615 162","price":17.85,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32345998098663.jpg?v=1788880303"},{"product_id":"brahms-sonata-in-d-minor-op-108-violin-and-piano","title":"Brahms, Johannes - Sonata in D minor, Op 108 - for Violin and Piano - edited by Clive Brown and Neal Peres Da Costa - Barenreiter URTEXT","description":"Johannes Brahms:\r\nThe Works for one Instrument and Piano\r\n\u003cbr\u003e\u003cbr\u003eJohannes Brahms’ compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.\r\n\u003cbr\u003e\u003cbr\u003eThe New Urtext Editions\r\n\r\n\u003cbr\u003e\u003cbr\u003eBärenreiter’s pioneering new scholarly-critical editions of Brahms’ works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today’s musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.\r\n\r\n\u003cbr\u003e\u003cbr\u003eIn addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.\r\n\r\n\u003cbr\u003e\u003cbr\u003eAn integral part of Bärenreiter’s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms’ own piano playing as well as that of his circle and contemporaries are discussed.\r\n\r\n\u003cbr\u003e\u003cbr\u003eThe violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim’s pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms’ associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.\r\n\r\n\u003cbr\u003e\u003cbr\u003eBärenreiter’s new Brahms complex also importantly brings two neglected works back into the player’s hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms’ arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.\r\n\r\n\u003cbr\u003e\u003cbr\u003e•\tA pioneering set of Urtext editions\r\n\u003cbr\u003e•\tString editions include an Urtext solo part and a second part with fingering as well as performance markings\r\n\u003cbr\u003e•\tEach edition offers a preface on performance practice aspects pertaining to the respective works\r\n\u003cbr\u003e•\tA separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms’ chamber music","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45591996301543,"sku":"1616 162","price":16.55,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32345999900903.jpg?v=1788873065"},{"product_id":"brahms-movement-from-f-a-e-c-minor-sonata-vn-pno","title":"Brahms, Johannes - Sonata Movement from the FAE Sonata in C minor, WoO 2 - for Violin and Piano - edited by Clive Brown and Neal Peres Da Costa - Barenreiter URTEXT","description":"Johannes Brahms’ compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.\u003cbr\u003e\u003cbr\u003e\r\n\r\nThe New Urtext Editions\u003cbr\u003e\u003cbr\u003e\r\n\r\nBärenreiter’s pioneering new scholarly-critical editions of Brahms’ works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today’s musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.\u003cbr\u003e\u003cbr\u003e\r\n\r\nIn addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.\u003cbr\u003e\u003cbr\u003e\r\n\r\nAn integral part of Bärenreiter’s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms’ own piano playing as well as that of his circle and contemporaries are discussed.\u003cbr\u003e\u003cbr\u003e\r\n\r\nThe violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim’s pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms’ associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.\u003cbr\u003e\u003cbr\u003e\r\n\r\nBärenreiter’s new Brahms complex also importantly brings two neglected works back into the player’s hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms’ arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.\u003cbr\u003e\u003cbr\u003e\r\n\r\n•\tA pioneering set of Urtext editions\u003cbr\u003e\r\n\r\n•\tString editions include an Urtext solo part and a second part with fingering as well as performance markings\u003cbr\u003e\r\n\r\n•\tEach edition offers a preface on performance practice aspects pertaining to the respective works\u003cbr\u003e\r\n\r\n•\tA separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms’ chamber music\u003cbr\u003e","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45591997317351,"sku":"1618 162","price":13.65,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32346000457959.jpg?v=1788844558"},{"product_id":"mozart-twenty-sonatas-volume-1-reeser-urtext","title":"Mozart, WA - Violin Sonatas, K 301-306, K 296, K 378 - Violin and Piano - edited by Reeser - Barenreiter","description":"","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45592016879847,"sku":"1657 314","price":27.55,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32346008551655.jpg?v=1788527941"},{"product_id":"reiding-concerto-d-major-op-36-violin-and-piano","title":"Rieding, Oskar - Violin Concerto in D Major, Op 36 - Violin and Piano - Barenreiter","description":"","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45592043290855,"sku":"1695 162","price":16.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32346026148071.jpg?v=1789026251"},{"product_id":"franck-sonate-andantino-quietoso-melancolie","title":"Franck, Cesar - Sonata, Andantino Quietoso, and Melancolie - for Violin and Piano - edited by Woodfull-Harris - Barenreiter URTEXT","description":"\u003cbig\u003e\u003cb\u003eThree Works by Cesar Franck\u003c\/b\u003e\u003c\/big\u003e for Violin and Piano\u003cbr\u003e\u003ci\u003eSonata\u003cbr\u003eAndantino quietoso, Op. 6\u003cbr\u003eMelancolie\u003cbr\u003e\u003c\/i\u003eEdited by Douglas Woodfull-Harris\u003cbr\u003eWith an Introduction by Gugula Schutz\u003cbr\u003eURTEXT Edition by Barenreiter\u003cbr\u003e\u003cbr\u003eThis URTEXT edition of three works by Cesar Franck includes the full piano reduction score, the violin parts together as separate booklet (edited without finger markings), a thorough scholarly Introduction for each work, and Critical Comments.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDifficulty:\u003c\/b\u003e A6 (Advanced)\u003cbr\u003e\u003cbr\u003e","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45592044404967,"sku":"1699 162","price":27.29,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32346027196647.jpg?v=1788880304"},{"product_id":"severn-polish-dance-violin-and-piano-barenreiter","title":"Severn, Edmund – Polish Dance - for Violin and Piano - edited by Christoph Sassmannshaus - Bärenreiter","description":"\u003cp\u003eEdmund Severn (1862–1942) was an American composer and violinist. Born in England, he studied in various cities including Berlin and composed works for unaccompanied violin, orchestra and string quartet.\u003c\/p\u003e\n\u003cp\u003e“Polish Dance” is his best-known work. Written in the style of a mazurka, it is an invitation to this dance form with its distinctive local colour. Many ritardandos and rubatos add rhythmic spice; wide leaps, double stops and three-note chords ensure delightful melodic and harmonic turns. Expressive dynamics provide the necessary vim to this “Polish Dance”!\u003c\/p\u003e","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45592053416167,"sku":"1714 162","price":13.19,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32346054197479.jpg?v=1789026252"},{"product_id":"schubert-three-sonatinas-op-137-urtext","title":"Schubert, Franz - Three Sonatinas, Op 137 For Violin and Piano URTEXT Published by Barenreiter","description":"Referred to as Sonatas or Sonatinas.                                                                                                                            Contains:                                                                       No. 1 in a minor, D. 384                                                        No. 2 in D Major, D. 385                                                        No. 3 in g minor, D. 408","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45592089067751,"sku":"1823 162","price":19.19,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32346080313575.jpg?v=1788527943"},{"product_id":"speckert-tango-classics-violin-and-pno-barenreiter","title":"Ready to Play: Tango Classics for Violin and Piano - edited by George A Speckert - Bärenreiter","description":"The marvelous tangos in \u003ci\u003eTango Classics \u003c\/i\u003efrom Argentina are arranged for violin and piano accompaniment. Standards such as El Choclo,” gems by Eduardo Arolas and Rosendo Mendizabal, as well as less well-known pieces such as El día que me quieras” by Carlos Gardel are included in this collection. For the violinist, the tangos are simple and fun to play; for the pianist, they're succinct and authentic.\u003cbr\u003e\u003cbr\u003eThe arranger George A. Speckert is also renowned for his easy yet sonorous arrangements for mixed string groups. He is a composer, author and lecturer in multimedia production and E-learning.","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45592124686567,"sku":"1901 162","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32346133430503.jpg?v=1788875815"},{"product_id":"vivaldi-la-stravaganza-vol-1-1-6-op-4-vn-pno","title":"Vivaldi, Antonio - La Stravaganza Vol 1, 1-6 - Op 4 - for Violin and Piano - Barenreiter URTEXT","description":"\u003cp\u003eAntonio Vivaldi’s twelve concertos op. 4 known by the name of “La Stravaganza” were first mentioned as a collection of “Concerti a 4” in the 1711 Foreword of “L’Estro Armonico” op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, “La Stravaganza” is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).\u003cbr\u003e\r\n\u003cbr\u003e\r\nThe many reprints of “La Stravaganza” bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.\u003cbr\u003e\r\n\u003cbr\u003e\r\nThis edition of “La Stravaganza” is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh \u0026amp; Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).\u003c\/p\u003e","brand":"Shar Music","offers":[{"title":"Default Title","offer_id":45592128520423,"sku":"1920 162","price":40.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0660\/7414\/9095\/files\/32346144669927.jpg?v=1788880305"},{"product_id":"vivaldi-la-stravaganza-vol-2-7-12-op-4-vn-pno","title":"Vivaldi, Antonio - La Stravaganza Vol 2, 7-12 - Op 4 - for Violin and Piano - Barenreiter URTEXT","description":"\u003cp\u003eAntonio Vivaldi’s twelve concertos op. 4 known by the name of “La Stravaganza” were first mentioned as a collection of “Concerti a 4” in the 1711 Foreword of “L’Estro Armonico” op. 3. 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