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Corelli, Arcangelo - Sonatas for Violin and Basso Continuo, Vol 1, Op 5, I-VI - for Violin and Piano - edited by Christopher Hogwood and Mark Ryan - Bärenreiter
Item# 1041 162
- SHAR Price: $34.95
- Sale Price: $31.46
Availability: IN STOCK
About This Item
A virtuoso in his day, Arcangelo Corelli published Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas served as a collection of violin playing of his time, and they influenced future violin compositions.
Over the years the sonatas have been published in nearly 100 editions, all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today, the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords, sometimes played by both hands.
In addition, Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini, Geminiani, McGibbon, Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand.
Complementing this Urtext edition are a historical introduction, a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.
- Score with realization of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line
- With a separate Urtext violin part
- With a separate unrealized figured continuo part
- Includes a supplement with violin embellishments
- Appendices in both volumes with source descriptions and critical commentaries
Over the years the sonatas have been published in nearly 100 editions, all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today, the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords, sometimes played by both hands.
In addition, Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini, Geminiani, McGibbon, Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand.
Complementing this Urtext edition are a historical introduction, a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.
- Score with realization of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line
- With a separate Urtext violin part
- With a separate unrealized figured continuo part
- Includes a supplement with violin embellishments
- Appendices in both volumes with source descriptions and critical commentaries
Features/Specs
Title: Sonatas for Violin and Basso continuo, Volume 1, op 5, I-VI
Composer: Arcangelo Corelli
Arranger: Antonio Tonelli
Editor: Christopher Hogwood and Ryan Mark
Publisher: Bärenreiter
Instrumentation: Violin and piano
Parts Included: Violin 1, violin 2, piano score, and basso continuo
Additional Information: Urtext
Warranty Info
Sheet Music Return Policy
If you are not satisfied with this item for any reason, you may return it for a full refund within 30 days of purchase. Unless the music received is defective or has been shipped in error, all returned music will be subject to a restocking fee of $2.00 per title.
If you have any questions about this product's warranty or to make a return, please contact our Customer Service Department at 800.793.4334 or email us at [email protected]
If you are not satisfied with this item for any reason, you may return it for a full refund within 30 days of purchase. Unless the music received is defective or has been shipped in error, all returned music will be subject to a restocking fee of $2.00 per title.
If you have any questions about this product's warranty or to make a return, please contact our Customer Service Department at 800.793.4334 or email us at [email protected]
A virtuoso in his day, Arcangelo Corelli published Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas served as a collection of violin playing of his time, and they influenced future violin compositions.
Over the years the sonatas have been published in nearly 100 editions, all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today, the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords, sometimes played by both hands.
In addition, Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini, Geminiani, McGibbon, Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand.
Complementing this Urtext edition are a historical introduction, a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.
- Score with realization of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line
- With a separate Urtext violin part
- With a separate unrealized figured continuo part
- Includes a supplement with violin embellishments
- Appendices in both volumes with source descriptions and critical commentaries
Over the years the sonatas have been published in nearly 100 editions, all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today, the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords, sometimes played by both hands.
In addition, Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini, Geminiani, McGibbon, Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand.
Complementing this Urtext edition are a historical introduction, a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.
- Score with realization of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line
- With a separate Urtext violin part
- With a separate unrealized figured continuo part
- Includes a supplement with violin embellishments
- Appendices in both volumes with source descriptions and critical commentaries
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