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Beethoven, Ludwig - Concerto in D Major Op 61 - Violin and Piano - edited by Clive Brown - Breitkopf and Haertel URTEXT Edition

Beethoven, Ludwig - Concerto in D Major Op 61 - Violin and Piano - edited by Clive Brown - Breitkopf and Haertel URTEXT Edition | 1032 101

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Item# 1032 101

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About This Item

"The Beethoven Violin Concerto is considered one of the top concertos ever written for any instrument. Its acceptance as a major violin concerto was gradual, but it is now recognized as one of Beethovens greatest achievements. It is a remarkable piece in that it is not as note-heavy as other concertos such as the Tchaikovsky Violin Concerto, but is much more musically demanding. It reminds the audience more of a symphony with a violin solo where the soloist and the orchestra are equal partners than a piece designed to showcase virtuosity. The melodies are simple (though not easy), with a soaring, free opening in the violin after a lengthy orchestra introduction. The second movement is a moment of repose before the bright, cheerful Rondo. The beauty of this concerto comes from its simplicity, elegance, voicing within the orchestra, and an overall feeling of joy. Cadenzas for the work have been written by several notable violinists, including Joachim, however this version does not include cadenzas." -Sarah Cranor, Shar Apprentice (Violin)


Title: Violin Concerto in D Major, Op 61
Composer: Ludwig van Beethoven
Clive Brown
Publisher: Breitkopf & Hartel
Instrumentation: Violin and piano
Parts Included: Two violin parts (one edited, one unedited), piano score
Additional Information: Urtext edition Edited part includes historically-informed fingerings and bowings

Warranty Info

Sheet Music Return Policy
If you are not satisfied with this item for any reason, you may return it for a full refund within 30 days of purchase Unless the music received is defective or has been shipped in error, all returned music will be subject to a restocking fee of $2.00 per title

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Customer Questions

Question by:


Asked On: 07/13/2016

What does Urtext mean? What makes this edition different than the others?

SHAR Answer:

Urtext basically means that this music is the earliest version of this piece of music, to which later versions can be compared. It serves as a baseline; it gives musicians and scholars an idea for the composer’s original intent. The reason that one would purchase an Urtext edition of music would be so that he or she has a musical text which solely reflects the composer’s intentions; creative interpretation can then be built upon those intentions. While it’s useful to purchase an Urtext edition so that one may get a feel for a composer’s intentions, it’s no guarantee of the composer’s exact writings. When a piece of music is edited or altered, it’s common for editors to add or subtract to the music as well as to edit performance methods. In many cases, it can be useful to purchase a thoroughly edited and altered version of a piece of music, because perhaps it will contain fingerings, bowings or musical performance ideas that will be useful to the performer or student who’s using it. Editions that are edited or arranged may also contain a different cadenza for a concerto. When deciding which edition to buy, it really does come down to personal preference.

It’s also worth noting that there’s more than one publisher of the Urtext version of music. Some well-known publishers of Urtext versions include Henle, Bärenreiter and Breitkopf, among others.

This comes from the G. Henle Verlag Publisher’s website: “There is no such thing as the one valid Urtext version of a musical composition, because the Urtext edition is not the same as a composer's manuscript. (Unfortunately even today many musicians believe this to be the case, for the word "Urtext" [original text] probably also supports this idea.) In most cases the Urtext editor has to choose between different readings in the primary sources: What is "correct", what is "wrong"? Often there is no clear answer. At all events, a good Urtext edition justifies the decision made (and printed).”

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