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Bach, JS - 6 Suites BWV 1007 1012 for Cello - Arranged by Schwemer/Woodfull-Harris - Barenreiter Verlag URTEXT Edition

Bach, JS - 6 Suites BWV 1007 1012 for Cello - Arranged by Schwemer/Woodfull-Harris - Barenreiter Verlag URTEXT Edition | 3000 162
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Item# 3000 162

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About This Item

The Bach Cello Suites are widely regarded as among the best music written for a solo instrument, and as a result they have been transcribed for a very wide variety of other instruments.  Rediscovered and popularized by Pablo Casals a century ago, these suites vary greatly in difficulty and style.  As a result, developing cellists tend to spend a great deal of time with these suites over the course of their education.

Scholarly critical performing edition in three parts: music, text, and facsimiles. The music volume includes all readings from the five sources laid out for performance. The text volume provides valuable information such as genesis of the suites, form and structure of the suites, and the cello and bow in Bach's day. The facsimile volume presents each of the five sources separately in a large performance format.

Composed by Johann Sebastian Bach, edited by Schwemer/Woodfull-Harris for solo cello. URTEXT. Published by Barenreiter Verlag.

Difficulty: A3-A6

Click here to learn more about the SHAR Music and ASTA Sheet Music Difficulty Ratings.

Item Includes

I. Music Volume

  • All readings from the five sources are presented for performance
  • Suite V is presented both in scordatura and at normal pitch
  • Suite VI is notated for the five-string instrument as in the sources. Notes not playale on a four-string instrument are marked.
  • Critical Report

II. Text Volume

  • Manuscript tradition
  • Genesis
  • Performance practice
    • articulation, slurs, embellishments, dynamics, vibrato, and the execution of chords

III. Facsimiles

  • A: Anna Magdalena Bach, manuscript copy (1727-1731)
  • B: Johann Peter Kellner, manuscript copy (1726)
  • C: anonymous copy (second half of the 18th century)
  • D: anonymous copy (late 18th century)
  • E: First Edition, Paris (1824?)

Warranty Info

Sheet Music Return Policy
If you are not satisfied with this item for any reason, you may return it for a full refund within 30 days of purchase. Unless the music received is defective or has been shipped in error, all returned music will be subject to a restocking fee of $2.00 per title.

If you have any questions about this product's warranty or to make a return, please contact our Customer Service Department at 800.793.4334 or email us at [email protected]

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Customer Questions

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Asked On: 07/29/2016

What does Urtext mean? What makes this edition different than the others?

SHAR Answer:

Urtext basically means that this music is the earliest version of this piece of music, to which later versions can be compared. It serves as a baseline; it gives musicians and scholars an idea for the composer’s original intent. The reason that one would purchase an Urtext edition of music would be so that he or she has a musical text which solely reflects the composer’s intentions; creative interpretation can then be built upon those intentions. While it’s useful to purchase an Urtext edition so that one may get a feel for a composer’s intentions, it’s no guarantee of the composer’s exact writings. When a piece of music is edited or altered, it’s common for editors to add or subtract to the music as well as to edit performance methods. In many cases, it can be useful to purchase a thoroughly edited and altered version of a piece of music, because perhaps it will contain fingerings, bowings or musical performance ideas that will be useful to the performer or student who’s using it. Editions that are edited or arranged may also contain a different cadenza for a concerto. When deciding which edition to buy, it really does come down to personal preference. It’s also worth noting that there’s more than one publisher of the Urtext version of music. Some well-known publishers of Urtext versions include Henle, Bärenreiter and Breitkopf, among others. This comes from the G. Henle Verlag Publisher’s website: “There is no such thing as the one valid Urtext version of a musical composition, because the Urtext edition is not the same as a composer's manuscript. (Unfortunately even today many musicians believe this to be the case, for the word "Urtext" [original text] probably also supports this idea.) In most cases the Urtext editor has to choose between different readings in the primary sources: What is "correct", what is "wrong"? Often there is no clear answer. At all events, a good Urtext edition justifies the decision made (and printed).”

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