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Ultra Bass Practice Mute - Rubber

Item# 1383

$9.29

In Stock

Medium-strong muting effect. Made of firm rubber material that provides a bit less clear tone than metal mutes, but the rubber has less risk to the instrument if the mute should fall off accidentally. Grips entire bridge.

What Should I Look For in a Mute?
All string players should have at least one mute, and there are three important factors to consider. First and foremost, ease of use. How quickly can the mute be put in place or removed? How important is this to you? Orchestral players sometimes only have one measure to install or remove a mute. Secondly, sound quality. The goal of the mute is to lower the volume only, not dampen the good quality of your instrument. Regarding overall sound quality, the degree to which a mute "rattles" when not in use but still on the strings between the bridge and tailpiece is important as well. Third is aesthetics. Truth be told, many players consider the importance of overall look and feel, trying a variety of mutes to find out what works and looks best on their instrument. Fortunately, mutes are not too expensive, so this is a relatively low cost endeavor.

6-Pack of Tourte Mutes

Item# 1305P

$4.99

In Stock

The world's most popular mute! Has a slit in the side to allow mute to fit over string. Small pin on the top makes it easy to remove and slide down strings when not in use. Used for chamber music, orchestra and personal practice - light muting level. Orginal: Not a Copy!!

What Should I Look For in a Mute?
All string players should have at least one mute, and there are three important factors to consider. First and foremost, ease of use. How quickly can the mute be put in place or removed? How important is this to you? Orchestral players sometimes only have one measure to install or remove a mute. Secondly, sound quality. The goal of the mute is to lower the volume only, not dampen the good quality of your instrument. Regarding overall sound quality, the degree to which a mute "rattles" when not in use but still on the strings between the bridge and tailpiece is important as well. Third is aesthetics. Truth be told, many players consider the importance of overall look and feel, trying a variety of mutes to find out what works and looks best on their instrument. Fortunately, mutes are not too expensive, so this is a relatively low cost endeavor.

"A commonly forgotten accessory to the string world is the mute. There are a variety of mutes available with even more varying qualities and prices. For the orchestra setting, I recommend something that can quickly be put on the bridge such as the Tourte, which I use. For practicing at home late at night, I use my ebony mute because it's heavier and dampens the volume more."
- Thomas La Forgia, Cellist & SHAR Apprentice

Artino Practice Mute for Violin or Viola

Item# APM1

$13.49

In Stock

Traditional metal heavy practice mute, with a protective plastic coating. Slightly less muting than an uncoated mute, but less danger of damaging your instrument if the mute should fall off during use.

Artino Practice Mute for Cello

Item# APM2

$16.49

In Stock

Traditional metal heavy practice mute, with a protective plastic coating. Slightly less muting than an uncoated mute, but less danger of damaging your instrument if the mute should fall off during use.

Baroque Bling Tourte Mute with Swarovski Crystals for Violin

Item# BLING

$34.99

In Stock

Baroque Bling has teamed up with Tourte Mutes for a new take on an old classic. This Baroque Bling mute includes all the features of a Tourte��like slits on the side that allow the mute to fit over your strings��with the added "bling" of Swarvoski crystals. Its light muting level is perfect for chamber music, orchestra and personal practice.

What Should I Look For in a Mute?
All string players should have at least one mute, and there are three important factors to consider. First and foremost, ease of use. How quickly can the mute be put in place or removed? How important is this to you? Orchestral players sometimes only have one measure to install or remove a mute. Secondly, sound quality. The goal of the mute is to lower the volume only, not dampen the good quality of your instrument. Regarding overall sound quality, the degree to which a mute "rattles" when not in use but still on the strings between the bridge and tailpiece is important as well. Third is aesthetics. Truth be told, many players consider the importance of overall look and feel, trying a variety of mutes to find out what works and looks best on their instrument. Fortunately, mutes are not too expensive, so this is a relatively low cost endeavor.

"A commonly forgotten accessory to the string world is the mute. There are a variety of mutes available with even more varying qualities and prices. For the orchestra setting, I recommend something that can quickly be put on the bridge such as the Tourte, which I use. For practicing at home late at night, I use my ebony mute because it's heavier and dampens the volume more."
- Thomas La Forgia, Cellist & SHAR Apprentice

Baroque Bling Tourte Mute with Swarovski Crystals for Cello

Item# BLING C

$44.99

In Stock

Baroque Bling has teamed up with Tourte Mutes for a new take on an old classic. This Baroque Bling mute includes all the features of a Tourte��like slits on the side that allow the mute to fit over your strings��with the added "bling" of Swarvoski crystals. Its light muting level is perfect for chamber music, orchestra and personal practice.

What Should I Look For in a Mute?
All string players should have at least one mute, and there are three important factors to consider. First and foremost, ease of use. How quickly can the mute be put in place or removed? How important is this to you? Orchestral players sometimes only have one measure to install or remove a mute. Secondly, sound quality. The goal of the mute is to lower the volume only, not dampen the good quality of your instrument. Regarding overall sound quality, the degree to which a mute "rattles" when not in use but still on the strings between the bridge and tailpiece is important as well. Third is aesthetics. Truth be told, many players consider the importance of overall look and feel, trying a variety of mutes to find out what works and looks best on their instrument. Fortunately, mutes are not too expensive, so this is a relatively low cost endeavor.

"A commonly forgotten accessory to the string world is the mute. There are a variety of mutes available with even more varying qualities and prices. For the orchestra setting, I recommend something that can quickly be put on the bridge such as the Tourte, which I use. For practicing at home late at night, I use my ebony mute because it's heavier and dampens the volume more."
- Thomas La Forgia, Cellist & SHAR Apprentice

Spector Violin Mute - Copper

Item# 1304

$5.99

In Stock

Rubber violin mute designed by violinist Fred Spector based on 45 years of experience with the Chicago Symphony Orchestra. We found it very easy to use. Players can easily and quickly slide the mute up onto the bridge with very little effort and no extraneous noise. This is a great mute for orchestra players who need to be able to install their mute quickly and quietly. While not in use, the mute is held in place by the A and D strings with no buzzing or rattling.

What Should I Look For in a Mute?
All string players should have at least one mute, and there are three important factors to consider. First and foremost, ease of use. How quickly can the mute be put in place or removed? How important is this to you? Orchestral players sometimes only have one measure to install or remove a mute. Secondly, sound quality. The goal of the mute is to lower the volume only, not dampen the good quality of your instrument. Regarding overall sound quality, the degree to which a mute "rattles" when not in use but still on the strings between the bridge and tailpiece is important as well. Third is aesthetics. Truth be told, many players consider the importance of overall look and feel, trying a variety of mutes to find out what works and looks best on their instrument. Fortunately, mutes are not too expensive, so this is a relatively low cost endeavor.

Polly Mute for Viola Black

Item# 1302V

$12.00

In Stock

This unique mute creates a warm and wonderful sound. In Black, Red or Clear.

Polly Mute for Cello Black

Item# 1302C

$16.00

In Stock

This unique mute creates a warm and wonderful sound. In Black, Red or Clear.

Polly Mute for Double Bass Black

Item# 1302B

$20.00

In Stock

This unique mute creates a warm and wonderful sound. In Black, Red or Clear.

Slide on Viola Mute

Item# 1163

$5.99

In Stock

Wire with plastic roller.

What Should I Look For in a Mute?
All string players should have at least one mute, and there are three important factors to consider. First and foremost, ease of use. How quickly can the mute be put in place or removed? How important is this to you? Orchestral players sometimes only have one measure to install or remove a mute. Secondly, sound quality. The goal of the mute is to lower the volume only, not dampen the good quality of your instrument. Regarding overall sound quality, the degree to which a mute "rattles" when not in use but still on the strings between the bridge and tailpiece is important as well. Third is aesthetics. Truth be told, many players consider the importance of overall look and feel, trying a variety of mutes to find out what works and looks best on their instrument. Fortunately, mutes are not too expensive, so this is a relatively low cost endeavor.

Rosewood Violin Mute

Item# 1168 R

$2.99

In Stock

Classic style. Primarily a practice mute but also good for ensemble playing. Mid to heavy muting. Rosewood.

What Should I Look For in a Mute?
All string players should have at least one mute, and there are three important factors to consider. First and foremost, ease of use. How quickly can the mute be put in place or removed? How important is this to you? Orchestral players sometimes only have one measure to install or remove a mute. Secondly, sound quality. The goal of the mute is to lower the volume only, not dampen the good quality of your instrument. Regarding overall sound quality, the degree to which a mute "rattles" when not in use but still on the strings between the bridge and tailpiece is important as well. Third is aesthetics. Truth be told, many players consider the importance of overall look and feel, trying a variety of mutes to find out what works and looks best on their instrument. Fortunately, mutes are not too expensive, so this is a relatively low cost endeavor.

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