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Slide on Violin Mute

Item# 1162

$4.99

In Stock

Wire with plastic roller.

What Should I Look For in a Mute?
All string players should have at least one mute, and there are three important factors to consider. First and foremost, ease of use. How quickly can the mute be put in place or removed? How important is this to you? Orchestral players sometimes only have one measure to install or remove a mute. Secondly, sound quality. The goal of the mute is to lower the volume only, not dampen the good quality of your instrument. Regarding overall sound quality, the degree to which a mute "rattles" when not in use but still on the strings between the bridge and tailpiece is important as well. Third is aesthetics. Truth be told, many players consider the importance of overall look and feel, trying a variety of mutes to find out what works and looks best on their instrument. Fortunately, mutes are not too expensive, so this is a relatively low cost endeavor.

Ebony Violin Mute

Item# 1168 E

$2.99

In Stock

Classic style. Primarily a practice mute but also good for ensemble playing. Mid to heavy muting. Ebony.

What Should I Look For in a Mute?
All string players should have at least one mute, and there are three important factors to consider. First and foremost, ease of use. How quickly can the mute be put in place or removed? How important is this to you? Orchestral players sometimes only have one measure to install or remove a mute. Secondly, sound quality. The goal of the mute is to lower the volume only, not dampen the good quality of your instrument. Regarding overall sound quality, the degree to which a mute "rattles" when not in use but still on the strings between the bridge and tailpiece is important as well. Third is aesthetics. Truth be told, many players consider the importance of overall look and feel, trying a variety of mutes to find out what works and looks best on their instrument. Fortunately, mutes are not too expensive, so this is a relatively low cost endeavor.

Rosewood Violin Mute

Item# 1168 R

$2.99

In Stock

Classic style. Primarily a practice mute but also good for ensemble playing. Mid to heavy muting. Rosewood.

What Should I Look For in a Mute?
All string players should have at least one mute, and there are three important factors to consider. First and foremost, ease of use. How quickly can the mute be put in place or removed? How important is this to you? Orchestral players sometimes only have one measure to install or remove a mute. Secondly, sound quality. The goal of the mute is to lower the volume only, not dampen the good quality of your instrument. Regarding overall sound quality, the degree to which a mute "rattles" when not in use but still on the strings between the bridge and tailpiece is important as well. Third is aesthetics. Truth be told, many players consider the importance of overall look and feel, trying a variety of mutes to find out what works and looks best on their instrument. Fortunately, mutes are not too expensive, so this is a relatively low cost endeavor.

Glaesel 2 Hole Mute for Violin or Viola

Item# 1307

$3.69

In Stock

Rubber, 2-hole design. Similar to tourte, but mutes a bit more.

What Should I Look For in a Mute?
All string players should have at least one mute, and there are three important factors to consider. First and foremost, ease of use. How quickly can the mute be put in place or removed? How important is this to you? Orchestral players sometimes only have one measure to install or remove a mute. Secondly, sound quality. The goal of the mute is to lower the volume only, not dampen the good quality of your instrument. Regarding overall sound quality, the degree to which a mute "rattles" when not in use but still on the strings between the bridge and tailpiece is important as well. Third is aesthetics. Truth be told, many players consider the importance of overall look and feel, trying a variety of mutes to find out what works and looks best on their instrument. Fortunately, mutes are not too expensive, so this is a relatively low cost endeavor.

Bech Magnetic Mute for Violin or Viola

Item# 1309

$9.79

In Stock

When not in use, magnet holds mute firmly to plastic clip on tailpiece. Non-rattling storage and quick accessibility.

What Should I Look For in a Mute?
All string players should have at least one mute, and there are three important factors to consider. First and foremost, ease of use. How quickly can the mute be put in place or removed? How important is this to you? Orchestral players sometimes only have one measure to install or remove a mute. Secondly, sound quality. The goal of the mute is to lower the volume only, not dampen the good quality of your instrument. Regarding overall sound quality, the degree to which a mute "rattles" when not in use but still on the strings between the bridge and tailpiece is important as well. Third is aesthetics. Truth be told, many players consider the importance of overall look and feel, trying a variety of mutes to find out what works and looks best on their instrument. Fortunately, mutes are not too expensive, so this is a relatively low cost endeavor.

Alpine Professional Shield Violin Viola Mute

Item# 1316S

$27.95

In Stock

Heifetz Mute for Violin or Viola

Item# 1319

$7.99

In Stock

The unique design of the Heifetz mute allows the player to adjust the muting effect by sliding the metal tension clip down or up, muting more or less as a result. The metal tension clip is the part that is stamped "HEIFETZ". Made of the highest quality materials, many professionals swear by this unique mute. The original Heifetz mute was very similar, but with a slightly different design.

What Should I Look For in a Mute?
All string players should have at least one mute, and there are three important factors to consider. First and foremost, ease of use. How quickly can the mute be put in place or removed? How important is this to you? Orchestral players sometimes only have one measure to install or remove a mute. Secondly, sound quality. The goal of the mute is to lower the volume only, not dampen the good quality of your instrument. Regarding overall sound quality, the degree to which a mute "rattles" when not in use but still on the strings between the bridge and tailpiece is important as well. Third is aesthetics. Truth be told, many players consider the importance of overall look and feel, trying a variety of mutes to find out what works and looks best on their instrument. Fortunately, mutes are not too expensive, so this is a relatively low cost endeavor.

Finissima Violin Mute

Item# 1320

$10.99

In Stock

Plastic, provides clear yet muted sound. Not designed for viola.

"I have enormous enthusiam for the Finissima Artist Mute. Since putting it on my own violin the afternoon it was shown to me, I have not removed it and it will remain a permanent part of my accessories for performance.

It is an extraordinarily wonderful development for all string players, in particular every orchestral string player. The quality of its muted sound is much better than any other that has been developed to this point. And its ease, speed and comfort make it the most natural concomitant to good music making that I have seen.

I heartily endorse this mute for any performer that has respect for his own work."
Issac Stern - New York, 1997



What Should I Look For in a Mute?

All string players should have at least one mute, and there are three important factors to consider. First and foremost, ease of use. How quickly can the mute be put in place or removed? How important is this to you? Orchestral players sometimes only have one measure to install or remove a mute. Secondly, sound quality. The goal of the mute is to lower the volume only, not dampen the good quality of your instrument. Regarding overall sound quality, the degree to which a mute "rattles" when not in use but still on the strings between the bridge and tailpiece is important as well. Third is aesthetics. Truth be told, many players consider the importance of overall look and feel, trying a variety of mutes to find out what works and looks best on their instrument. Fortunately, mutes are not too expensive, so this is a relatively low cost endeavor.


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Ultra Violin Practice Mute - Rubber (fits 1/16 - 1/4 size)

Item# 1380 14

$3.59

In Stock

Medium-strong muting effect. Made of firm rubber material that provides a bit less clear tone than metal mute, but rubber has less risk to the instrument if the mute should fall off accidentally. Grips entire bridge.

What Should I Look For in a Mute?
All string players should have at least one mute, and there are three important factors to consider. First and foremost, ease of use. How quickly can the mute be put in place or removed? How important is this to you? Orchestral players sometimes only have one measure to install or remove a mute. Secondly, sound quality. The goal of the mute is to lower the volume only, not dampen the good quality of your instrument. Regarding overall sound quality, the degree to which a mute "rattles" when not in use but still on the strings between the bridge and tailpiece is important as well. Third is aesthetics. Truth be told, many players consider the importance of overall look and feel, trying a variety of mutes to find out what works and looks best on their instrument. Fortunately, mutes are not too expensive, so this is a relatively low cost endeavor.

Ultra Violin Practice Mute - Rubber (fits 1/2 - 3/4 size)

Item# 1380 34

$3.59

In Stock

Medium-strong muting effect. Made of firm rubber material that provides a bit less clear tone than metal mute, but rubber has less risk to the instrument if the mute should fall off accidentally. Grips entire bridge.

What Should I Look For in a Mute?
All string players should have at least one mute, and there are three important factors to consider. First and foremost, ease of use. How quickly can the mute be put in place or removed? How important is this to you? Orchestral players sometimes only have one measure to install or remove a mute. Secondly, sound quality. The goal of the mute is to lower the volume only, not dampen the good quality of your instrument. Regarding overall sound quality, the degree to which a mute "rattles" when not in use but still on the strings between the bridge and tailpiece is important as well. Third is aesthetics. Truth be told, many players consider the importance of overall look and feel, trying a variety of mutes to find out what works and looks best on their instrument. Fortunately, mutes are not too expensive, so this is a relatively low cost endeavor.

Tourte Original Mute for Violin or Viola - Bulk 50 Pack

Item# 1305B2

$45.50

In Stock

Baroque Bling Tourte Mute with Swarovski Crystals for Violin

Item# BLING

$34.99

In Stock

Baroque Bling has teamed up with Tourte Mutes for a new take on an old classic. This Baroque Bling mute includes all the features of a Tourte��like slits on the side that allow the mute to fit over your strings��with the added "bling" of Swarvoski crystals. Its light muting level is perfect for chamber music, orchestra and personal practice.

What Should I Look For in a Mute?
All string players should have at least one mute, and there are three important factors to consider. First and foremost, ease of use. How quickly can the mute be put in place or removed? How important is this to you? Orchestral players sometimes only have one measure to install or remove a mute. Secondly, sound quality. The goal of the mute is to lower the volume only, not dampen the good quality of your instrument. Regarding overall sound quality, the degree to which a mute "rattles" when not in use but still on the strings between the bridge and tailpiece is important as well. Third is aesthetics. Truth be told, many players consider the importance of overall look and feel, trying a variety of mutes to find out what works and looks best on their instrument. Fortunately, mutes are not too expensive, so this is a relatively low cost endeavor.

"A commonly forgotten accessory to the string world is the mute. There are a variety of mutes available with even more varying qualities and prices. For the orchestra setting, I recommend something that can quickly be put on the bridge such as the Tourte, which I use. For practicing at home late at night, I use my ebony mute because it's heavier and dampens the volume more."
- Thomas La Forgia, Cellist & SHAR Apprentice

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